The Beggining - Eadweard Muybridge
As with a lot of discoveries Eadweard Muybridge did not set
out to come across what would be the foundation of stop motion and cinematography.
Muybridge was a young English photographer who had immigrated to United States
and before stumbling across motion-picture, he was known for his landscape
photography. In 1872 Muybridge was hired by race horse owner and former governor
of California to shoot some pictures for a photographic study. The study was a
long questioned debate of whether all four feet of a horse come off the ground
when trotting. After proving that all four feet of the horse did come off the
ground he was then hired again in 1878 to take photo’s which would help the
study of a horses gallop. Muybridge placed multiple cameras along the side of
the race track which were triggered by thread and a picture would be taken as
the horse passed through each piece. Using silhouettes transferred from the
pictures which were placed on to a disc for a machine Muybridge himself had
created called a zoopraxiscope. The zoopraxiscope was a device which projected
images which were drawn as detailed silhouettes on a glass disc. Light shone
through the glass disc showing the silhouettes and was then spun as the disc
moved and each image was shown one after the other it gave the effect that the
image was moving.
The Zoopraxiscope was considered the first movie projector. After transferring the the images of the horse on the race track and placed on the machine, they would see the horses gallop in motion from a collection of still images. You can see the numbers of each image in the bottom corner.

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